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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 83 |
Aug 24 |
Comment |
"Points to Ponder"
Creating a Sense of Place is one of the key components the artist photographer (and artist painter) have in their bag of tricks to make a composition strong. In this sense, and taking Don's work as an example ... like I noted in my previous comments ... here we are not necessarily "needing" to "focus" on the riders, but instead, the spectator is enjoying the images Gestalt: we thus take in the whole first, then enjoy specific details. Remember, even if this image was a Documentary (of the area) or Portrait (of the two riders and their horses) the image need not exclude a prominent background.
These are key attributes between a good picture, and one that "pricks" spectators' in a more emotional and satisfying connection between themselves and the picture. Thank you. |
Aug 27th |
| 83 |
Aug 24 |
Reply |
The Hobbit House, yes, indeed!
I agree, a few spots are too bright, but hopefully I can tame this some before printing, or, perhaps choice of paper will help in calming those bright spots. Thank you, Elise! |
Aug 19th |
| 83 |
Aug 24 |
Reply |
(Images are not combined). |
Aug 19th |
| 83 |
Aug 24 |
Reply |
Yes, must agree with you, the image is quite busy, but not enough, in my opinion, to detract from viewers seeing/contemplating details between the tree and the house.
(But perhaps a bit more post-processing will help reduce the "visual overload" you speak of).
In this respect, I hope in print (at least) we see more separation within the tonal gamut and thus less busy as you (correctly) interpret. However, this is still my favorite out of these two images ... though frankly, not in Love with either of them.
As always, appreciate your wise and skillful critiques.
|
Aug 6th |
| 83 |
Aug 24 |
Comment |
Gee! what a well thought out composition, Michel!
A very powerful scene that, like Michael, moves me deeply.
Technical: The lighting is suburb, and I do not see any artifacts from the Flash.
1. Question, during the 30sec exposure, when did you set-off the flash?
2. Suggestion: during the 30sec exposure you could have also illuminated the Rose with another Burst or two from the Flash.
Great work!! |
Aug 5th |
| 83 |
Aug 24 |
Reply |
Elsie, there was no title on this image until now: I never saw your title in the email, but just added it.
That being said, the image does not articulate this idea very well, and only because 1. cars in background are few and almost hidden, and 2. they are clearly "parked", not moving, just blurred.
All this means you can take the points discussed here and apply them to future projects: keep us in the loop as you proceed. |
Aug 5th |
| 83 |
Aug 24 |
Comment |
First positive comment ... off-centering the subject helps create a sense of "Place" ... something we talk about often, and here this helps the picture engage viewers'.
Additional Comment: I am not in love with the heavy dark/light, and somewhat "structured" illumination on his face: can you elaborate on why this might be so? Thank you, Michael! |
Aug 4th |
| 83 |
Aug 24 |
Comment |
Almost scary in one sense ... but that is my feelings as I always felt being on a beach at night is spooky. In any event, a very contemplative subject/scene.
Well designed and processed! Beautiful (timed) exposure, Adi! |
Aug 4th |
| 83 |
Aug 24 |
Comment |
I Love the use of space to define a sense of "place"! Well visualized and composed!! B&W tonal gamut is beautiful and fits the subject/scene nicely. Indeed, patience is a virtue!! |
Aug 4th |
| 83 |
Aug 24 |
Reply |
Happy Sunday, Elsie.
you state ... 'I preferred to tell this story' ...
Please, can you articulate what "story" you are telling: are you recording the image as part of a series that explores the vernacular in and around this community ... which I suggested in my critique? Alternatively, are you singling out the Truck as a fine art sculpture, as it were ... ?
Regardless of which picture this actually presents, the above critique/suggestions point to areas for study and contemplation towards engendering a more focused narrative: these are what I often cite as "Points to Ponder", which goes a long way in helping inspire and or teach visualization and compositional techniques, as well as advice on individual creative goals.
We look forward to continuing this discussion ... thank you.
|
Aug 4th |
| 83 |
Aug 24 |
Comment |
Indeed, another old relic from days when cars and trucks seemingly had more character, yes?
Technically there are a few items that could be addressed to help achieve a more engaging composition in the future: unless this image is part of a vernacular study focusing on this community, a different perspective would have served a purpose more within Fine Art.
That is, finding a different position to hide the cars and local street (unless the subject is registered at dawn where hopefully no one was around) thus viewers focus is on the subject ... being contemplated as a piece of sculpture. So, perspective is everything, or at least a key starting point indeed.
Also, I suggest, in the future, a smaller aperture would have helped maintain focus throughout the truck ... and for images of this kind (well, at least using this angle and the space the truck is in) needs to be in sharp focus from back to front.
This is a rather involved subject ... you are always free to reach out and discuss details with me. |
Aug 2nd |
6 comments - 5 replies for Group 83
|
| 87 |
Aug 24 |
Reply |
Hi Stephen! Thank you for stopping by ... I always enjoy your thoughtful critiques.
Yes, perhaps I should have decided to include people, but it was not part of my original plan ... too late now. My purpose in singling out local wall art (or Graffiti) is because this is how I saw (and initially defined) what (is, partly, at the heart) and thus characterizes Xalapa's vernacular.
A "Series of Work" helps the artist photography find their creative passion, helps the visual sociologist compare groups of people or cultures to others', and for the photo-journalist, exposing a deep and concerning subject for the masses to contemplate.
The Power of the Photograph ... the power even greater still, when presented in an organized group! |
Aug 10th |
| 87 |
Aug 24 |
Reply |
Appreciate your critique, Will ... as the Intro is suggesting, this image is just one within a series of many like (and associated) images registered in Xalapa. It is not intended to be viewed as a single work.
The work (as stated in the Intro) is a lesson on how to use space to define a sense of place and perhaps illuminate a narrative, or at least spark viewers imagination in creating their own: however, such narratives are usually per-determined in most photo-essays, journalism and visual sociology explorations, as mentioned in the Intro. |
Aug 8th |
| 87 |
Aug 24 |
Reply |
Yes, Chan .... I do have enough images to create a series of work as stated in the introduction.
Indeed, we are all programed to think every B&W image began its life in color ... funny, how the world has changed.
|
Aug 8th |
| 87 |
Aug 24 |
Reply |
I am sure this was a colorful illustration ... registered on B&W film ... I have recall what colors were represented here. |
Aug 4th |
| 87 |
Aug 24 |
Comment |
This scene, at least for me, creates an unexpected "Abstract" .... likely the B&W rendering "immerses", instead of "placing" this amazing animal with its surroundings.
One Interpretation: the skyline, water and main subject, together, seemingly creating symmetry ... as such, the entire image can be appreciated as one sculpture.
|
Aug 2nd |
| 87 |
Aug 24 |
Comment |
An absolutely beautiful landscape scene!!
|
Aug 2nd |
| 87 |
Aug 24 |
Comment |
Like, Chan's, this image, too, can be identified within Conceptual Photography, as we are presented a scene created in ones imagination.
Another piece of art from Will that invites us to stop and contemplate ... allowing our own imagination to form narratives or perhaps spark long lost memories ... well done.
|
Aug 2nd |
| 87 |
Aug 24 |
Comment |
Great photographic portrait... on the go, as it were!
Yes, appropriate settings to secure getting the picture in focus in these conditions; as such, Sport Photography is all about learning how to set up the camera and also paying attention to what athletes are doing in hopes of getting images like this. |
Aug 2nd |
| 87 |
Aug 24 |
Comment |
Chan, your post-processing skills seem to be getting keener everyday!
We can say this is a fine display of conceptual photography, or a scene produced through your imagination. It really has the potential to stop and make the viewer begin to imagine what or who the bench is for: we are thus elevated to study the "ordinary" with a lot more conviction. |
Aug 2nd |
5 comments - 4 replies for Group 87
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11 comments - 9 replies Total
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