|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 7 |
Nov 21 |
Comment |
Good evening, Rich! This scene is well visualized and captured! A lot of people may have walked by and gave these dead and forgotten trees no respect; instead, a perfect contrast of color in this most engaging Winter landscape.
Would love to see this as a BW. : )
Lance A. Lewin
PSA Black & White Photography Mentor
PSA South Atlantic Area Membership Director
Admin for DD-83-Mono and DD-87-General |
Nov 23rd |
1 comment - 0 replies for Group 7
|
| 8 |
Nov 21 |
Comment |
Hello, Mark. Correct me if I am wrong, but is this not a composite? Appreciate your feedback.
Lance A. Lewin
Admin DD-83 Mono and DD-87 General |
Nov 12th |
1 comment - 0 replies for Group 8
|
| 10 |
Nov 21 |
Reply |
Diana, that is what I thought, I have erred during post-production many times, most of the time not noticing the image was already out of focus or some other casualty created during capture. But very much look forward to more of these type of "Wabi Sabi" like aesthetics from you - hope you share with the group, soon. : ) |
Nov 14th |
| 10 |
Nov 21 |
Comment |
Hello, Diana. I love photographing Sunflowers and stopped when I saw this image....I appreciate your eye in capturing the beauty within the decaying, old and weathered; the type of subjects and narrative that I enjoy studying in the Japanese Aesthetics of Wabi Sabi.
But to be frank, the image is completely blurred. Was this caused by post-production? The textures do not look natural, and blurry. Look forward to hearing from you.
Lance A. Lewin
PSA Black & White Photography Mentor
PSA South Atlantic Area Membership Director |
Nov 11th |
1 comment - 1 reply for Group 10
|
| 11 |
Nov 21 |
Reply |
Note though we see the staircase, which identifies the structure, nonetheless, this crop highlights the "abstract" narrative, which you visualized and captured, but here, I am focusing more on the "abstract" nature by emphasizing the lines, shapes and textures. Thank you.
Lance |
Nov 14th |
| 11 |
Nov 21 |
Comment |
Hello, Henry! Came across your featured image and it reminded me of similar aesthetics created by Henri Cartier-Bresson (1908-2004). I have been using his work/style as examples of creating or revealing narratives that go beyond what we initially see, you work reminds me of Cartier-Bresson play on lines and shapes, light and shadow. (See the article on DD-87 Bulletin Board)
But I will suggest another more deliberate Crop to highlight the lines and curves that are the real subject, in my opinion. In this way, you are not digitally erasing or otherwise deleting artifacts that are in the original frame. Hope you like it. (See new 5x7 cropped color original)
Lance A. Lewin
PSA Black & White Photography Mentor
PSA South Atlantic Area Membership Director
DD-83 & DD-87 Administrator |
Nov 11th |
 |
1 comment - 1 reply for Group 11
|
| 23 |
Nov 21 |
Comment |
Good evening, Adelet! The vertical format is nice in this scene; different, and surly engaging!
The softer grey-tones are fine and is always a good alternative to the more common dark contrast (we see most often in Ansel Adams interpretations). If you crop the top, just ever so little, as we want to maintain space between the Thunder Cloud edge and sky.
Lance A. Lewin
PSA Black & White Photography Mentor
PSA South Atlantic Area Membership Director
Administrator: DD83-Mono and DD-87-General |
Nov 23rd |
1 comment - 0 replies for Group 23
|
| 32 |
Nov 21 |
Reply |
Stephen, a very powerful image! Well balanced and presented. Bravo!
Thank you for asking this very important question related to my featured work in DD-87. See my response to your question on DD-87 Bulletin Board. |
Nov 5th |
0 comments - 1 reply for Group 32
|
| 62 |
Nov 21 |
Reply |
Bunny, this is a very relevant point in photography, most popular from the Painting genre of art: "impressionistic", or non-representative, which can sometimes be categorized as Abstract. However, Leah's featured work is a reflection, and most photographs using reflections from glass or water are "impressions" of reality. |
Nov 7th |
| 62 |
Nov 21 |
Comment |
Happy Friday, Leah! Good eye in finding and capturing this unusual scene, or perspective...but I must echo the sediments by Bunny: that is, the entire emotional attraction for this scene is realized in the Original, but muted in the BW version, because the adjusted-orientation eliminates the "intrigue", "mystery" this abstract otherwise drools in the original. Like Bunny, I did a similar re-crop and also Burned top left and bottom-right, while Dodging the entire middle section. This is also one of those compositions that are well presented as a color rendering.
Look forward to seeing more of this type of work from you!
Lance A. Lewin
PSA BW Photography Mentor
PSA South Atlantic Area Membership Director |
Nov 5th |
 |
| 62 |
Nov 21 |
Comment |
Happy Friday, Emil! Love these types of compositions that use "piercing" light from the window that sets up a beautiful aesthetic. (I love when this type of lighting used in making movies; a lot of this can be scene in the Hand Maid Tales seen on Hulu).
However, I will suggest "removing" items from the scene by digital means was not necessary and in my opinion, may actually take away from the original color image. In the attached example, using your original 2x3 ratio, I carefully cropped out bottom-right rope, and ever so slightly, cut off left-side of frame. I feel this still maintains the original photographic capture with all its appeal. Next step would be to convert to BW as before. Thank you. |
Nov 5th |
 |
| 62 |
Nov 21 |
Comment |
Hello, Israel! Brilliant use of Light & Shadow to create a unique and engaging Abstract-like narrative. Bravo! |
Nov 5th |
3 comments - 1 reply for Group 62
|
| 74 |
Nov 21 |
Comment |
Happy Sunday, Haru! Over the past couple of months I have enjoyed this collection of waterfall's...very well visualized and executed, indeed.
Your Featured work this month I especially like: here, you strategically placed the background at only a fraction of the frame, this really allows the viewer to feel a sense of danger, as we seemingly head towards the inevitable fall....the inclusion of the "Big Falls" in the background just adds to the ominous scene, in my opinion, as well as a place-setter for our gaze to stop.
As far as the editing, I feel is the best, as the objects are not "over processed" revealing more detail (via Structure) that is so common in 21st century Landscape photography.
Beautiful work, Haru!
Lance A. Lewin
PSA Black & White Photography Mentor
PSA South Atlantic Area Membership Director |
Nov 14th |
1 comment - 0 replies for Group 74
|
| 83 |
Nov 21 |
Reply |
...indeed, renting one for the weekend will be the first step...thank you for bringing this up. Before I purchased my Canon 16-35mm L glass I did the same thing. Thanks, Stephen! |
Nov 23rd |
| 83 |
Nov 21 |
Reply |
...intersting....I think I may look into purchasing a Canon 24mm TF....after debating for some time, I may actually really have a use for it...appreciate you inspiring me to look seriously into this. |
Nov 22nd |
| 83 |
Nov 21 |
Reply |
yes, there are some stinging points within this image; I do not use a tilt/shift lens, but have been researching them the past year, but never pulled the trigger as my research and imagery have gone else where that would not be exploited with the tilt/shift glass. However, after today's interaction, I will re-investigate. What T/S lens do you use? |
Nov 16th |
| 83 |
Nov 21 |
Comment |
Gee! I love these types of architectural designs! This why I enjoy traveling through New Mexico, that enjoys similar structures.
The BW offering is fantastic! |
Nov 14th |
| 83 |
Nov 21 |
Comment |
Hello, Debasish! Well, I like the idea of going out to capture these candid "Street" photographs, but in this instant, I would have tried to wait for a better group of passerby's , as the man with the black jacket takes away from our subject.
I will also echo Stephen's comment: again, we are reiterating a bit more time in choosing an angle that may have helped hid or otherwise (not) make the mic as prominent as it is.
In this light, I hope you continue this as a project, capturing life on the streets, and consider these points before triggering the shutter. Street photography is very hard, and actually, in my opinion, takes more time and patience to produce striking narratives then most other sub-genres of photography.
I look forward to seeing more like these! |
Nov 14th |
| 83 |
Nov 21 |
Comment |
A very beautiful rendering! Yes, I like the BW version better that the original color.
Question: how did the Domes become metallic in their appearance? It's nice, but it completely changes the original structure to one that resembles a fantasy: I suggest, the color toning (or "layer") did not offer a narrative that helps define age, but, even more, it just transform the scene altogether. But this is my interpretation.
Regardless, I love the outcome! It's very beautiful, Dirk. |
Nov 14th |
| 83 |
Nov 21 |
Comment |
Happy Sunday, Dianne!
A very lovely and Ghostly image! It reminds me of looking into the past, where once wild horses like these roamed wild! Beautiful work, Dianne! |
Nov 14th |
| 83 |
Nov 21 |
Reply |
Appreciate you coming by....the history and making of whisky is fascinating, and I hope you share some of your knowledge with me, as I am recently interested in the history and production of Bourbon Whisky, as a result of my passion for its taste and overall palate.
The wide angle lens does reveal most of the room, and its special characteristics give a little extra to the scene compared to a face-to-face encounter: here, we try and bring more to just an ordinary representative-documentary image. Thank you for your comments, Bunny. |
Nov 8th |
4 comments - 4 replies for Group 83
|
| 87 |
Nov 21 |
Reply |
Cindy, here is an example (my Granddaughter) of a very soft aesthetic created by shallow Depth of Field (Dof) natural light (and also some incandescent light) that has effectively Melted the colors into a very paint-like aesthetic. Hope these added notes helps answer your questions. you can always reach out to me via email for further discussions.
So we are clear, there is no post-production manipulation other than a slight correction to red color-cast from the incandescent lights. This is a natural, though indeed, a Pictorial statement in photography. |
Nov 23rd |
 |
| 87 |
Nov 21 |
Reply |
Melting of Colors or Textures: the large rocks in the middle portion of the composition loose almost all detail, and seem to disintegrate (or Melt) into each other. (This is sometimes the result of cloning or other post-production manipulation to eliminate an artifact, but I am not suggesting this is what is happening in your featured image).
In your example this can be scene only after you enlarge the photograph, but in some examples can be visible upon normal viewing.
Alternatively, there are many other aesthetic value in color or texture melting in well designed or accidental compositions. I will post examples on Wednesday. Thank you, Cindy.
|
Nov 23rd |
| 87 |
Nov 21 |
Reply |
Good morning, Stephen!
Depending upon what the artist is trying to capture from behind the lens, (e.g. beauty, intrigue, documentary...)photographers' must search, pick and (what I like to refer to as) 'capture on a seemingly already painted canvas': from this perspective they reframe and capture the desires, vision or narratives worth revealing.
"Art is hidden in nature, and that he, who can tear her out of it, owns her". 17th century painter, Albrecht Dürer. |
Nov 23rd |
| 87 |
Nov 21 |
Reply |
Hi Cindy! Allow me to direct you to the Bulletin Board dated 12/2020, where I posted a good summary on Hyper-focal Distance technique. Thank you.
|
Nov 22nd |
| 87 |
Nov 21 |
Reply |
...makes a lot of sense...well done! |
Nov 20th |
| 87 |
Nov 21 |
Reply |
....very interesting and viable interpretations, Jennifer. Thank you for these most detailed and analytical observations.
This particular location had moments when few people walked by...I believe I sat for 7-10minutes waiting while continually peering through the viewfinder: in this case, the shot is not 100% spontaneous, but it was not designed to be that way. My only input was this particular perspective, camera settings, and of course, when the ideal vision presented itself through the viewfinder.
Thank you, Jennifer. |
Nov 15th |
| 87 |
Nov 21 |
Reply |
Awesome! Thank you so much! |
Nov 15th |
| 87 |
Nov 21 |
Comment |
"Points to Ponder":
Though Jennifer's featured composition ensues more visual impact, and indeed, it is clear what the subject is, Will offers another viable option, in which case, directs attention elsewhere. A good example of "seeing" different things from the exact same location. |
Nov 14th |
| 87 |
Nov 21 |
Comment |
Happy Sunday, Cindy! First, the basic structural composition or placement of subject and supporting artifacts is well conceived, I compliment you on see this lovely landscape.
But I want to discuss something Steve asked regarding Focus Point.
Closer examination seems to reveal there is no intended point of focus, I suggest auto-focus did the calculation. Even with the small (F/18) aperture, without a specific point of focus (and more appropriately, using Hyper-focal Focusing), this scene will be hard to manage.
Also, the background Blur (on the two large rocks) that sit midway, seem to have been overly processed, and I think this is the cause of the seemingly, Melting-Blur: it is a very odd effect, indeed, no matter how it is being manifested, regular lens bokeh, it is not.
Lastly, the high ISO may have disturbed the entire exposure process, as 12,800 this is well beyond what this scene calls for: in this situation, it is not hard to image the onboard computer having a very difficult time trying to balance exposure.
Looking forward to your feedback, Cindy. Thank you. |
Nov 14th |
| 87 |
Nov 21 |
Comment |
Gee, really like the effect from the long exposure! Never thought of doing this with this subject, though I rarely come across these "pools". Very cool color-melting, I love that!
Do you have other images from this location, maybe another view? I was wondering, another option would be to try an abstract representation, in other words, remove the identity of the location. Well done! |
Nov 14th |
| 87 |
Nov 21 |
Comment |
Yes, in a 2021 version, iPhone would surly be the prop in use! Too, funny!
You and co-photographers are lucky to enjoy these outings with an organized group, and I must add, your perfect capture featured here would indicate the experience has been well received. Question: did (you) choose the ISO or did you have it on auto magic ISO? Another observation, you did not "correct" the red hue from some of the incandescent lights (especially the desk lamp), but I like it, as it sits well with the time period depicted in the scene.
Look forward to your feedback. Thanks, Steve. |
Nov 14th |
| 87 |
Nov 21 |
Reply |
As always, Steve, your participation always includes a varied scope of insights, ideas and summary we can all learn from. It makes my input more meaningful when I receive responses that are always on task, or otherwise focused. Thank you!
See my extended response to our guest, Stephen for more insights. |
Nov 11th |
| 87 |
Nov 21 |
Reply |
Hi Stephen! Yes, Compositions of this kind can vary greatly on how it can be interpreted: but it is keen to understand sometimes the author gives background (by way of long description or simple Title) that is means to hint or otherwise sway interpretation in a certain direction.
In the featured image, (and within a special group critique format) I have chosen to just present the work as is, and only gently point to the overall feeling of "tension" as a manifest of the oddly grouped subjects and empty space.
On the other hand, the work is part of a longer/larger series of work which will (in addition to what was discussed here) reveal other narratives for viewer contemplation.
As always, you remarks are thoughtful and thorough. Thank you for participating. Thank you. |
Nov 11th |
| 87 |
Nov 21 |
Comment |
Good evening! Just a heads up, I posted a new, short article on the Bulletin Board, inspired by Cindy and Jennifer.
Look forward to your comments. Thank you! |
Nov 8th |
| 87 |
Nov 21 |
Reply |
Happy Friday, Stephen, everyone! This is a wonderful question, and very happy it was asked. It is the type of question I hope to address in more depth, and similar questions about the intricacies within the Art of Photography in the new Digital Dialogue Group (Proposal) I hope is accepted by PSA administration. More about that later.
Please, see my short response on the Bulletin Board. Thank you.
Lance A. Lewin |
Nov 5th |
| 87 |
Nov 21 |
Comment |
Photographs of this kind are better presented within a series; that is, along with other like-compositions in a visual-documentary style. But, I present this example to examine Compositional Style: here, using dead-space to initiate wonder or tension. |
Nov 2nd |
| 87 |
Nov 21 |
Comment |
Jennifer, from a Compositional or Visualization standpoint, this scene is excellent. Well conceived and captured, however you bring up an interesting question as it relates to hiking (and) thinking of photography. Cindy, then brings up another, but relevant question relating to cell-phone photography:
I will only state here, this is a wonderful topic relating to Photography Techniques and second, the psychology of photography. I will write a short piece for the Bulletin Board later in the week. This is also one of the concepts that would be discussed/learned in the new DD-Composition Group I asking your support on.
In the mean time, Jennifer..Bravo! |
Nov 2nd |
7 comments - 10 replies for Group 87
|
20 comments - 18 replies Total
|
