|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 66 |
Oct 23 |
Comment |
Henry, in this composition I like how you used the lock to guide the viewer into the image. The sky is a perfect match for the subject and repeats or echoes the linear shapes of the locks. Very nice work! |
Oct 27th |
| 66 |
Oct 23 |
Comment |
Emil, I guess we've joined the "barn club" this month. However, barns are great IR subjects. Perhaps the others are right about the sky and Henry's crop may be worth considering, but otherwise, it's splendid as is. |
Oct 9th |
| 66 |
Oct 23 |
Comment |
Jack this image reminds me of the many photographs we saw during the Vietnam war, but it is so much more upbeat. I like it as is, but my tidy eye wants the dark poles removed, not the the trees. |
Oct 9th |
| 66 |
Oct 23 |
Comment |
Arik, echoing the others, I really like the use of the arch to frame the image. The sidewalk leads the viewer to the church. The slate blue color adds interest, it must have been a challenge to render it. What would the image look like with the trees a bit more yellow, certainly a subtle soft purer yellow? |
Oct 9th |
| 66 |
Oct 23 |
Reply |
Palli, what you recommend is subtle, but significant. It creates more depth and frames in the subjects better. Thank you for the suggestion. |
Oct 4th |
| 66 |
Oct 23 |
Comment |
Palli, as I have commented about your work in the past, you have a gift for seeing images others can't or simply ignore. The juxtaposition of free curvy patterns in the tree against the autocratically constructed fence wood is not only metaphorical, but also an attractive, interesting composition. |
Oct 4th |
| 66 |
Oct 23 |
Comment |
Gary, isn't playing with color fun? I especially like and enjoy the contrast of colors. Allowing the stems of each palm to be much brighter and in a yellow tone, pulls the composition together. Like you, when I've experimented, it's easy to lose track of the steps, but somehow, it's the journey that matters and the flow state it creates. |
Oct 4th |
| 66 |
Oct 23 |
Comment |
Melanie, one does not immediately think of IR as a form of journalistic, anthropological photography, but you have converted me. You seem to so easily connect with your subject to tell their story and your relationship with them. |
Oct 4th |
7 comments - 1 reply for Group 66
|
| 88 |
Oct 23 |
Comment |
Indeed, you have captured in one image two points in time. What a contrast. I like the vivid colors in the train and how they contrast with the drab gray of the castle. Good work! |
Oct 27th |
| 88 |
Oct 23 |
Comment |
What an interesting photograph! It reminds me of the work of the great Steve McCurry. You could do some of the things suggested, but I think it is great as is! |
Oct 27th |
| 88 |
Oct 23 |
Comment |
Like Alaska, there are many places in Canada where traveling on a small plane is the only way to access stunning natural beauty. This photograph tells that story and invites the viewer to get off their couch. Thank you. |
Oct 27th |
| 88 |
Oct 23 |
Comment |
Brian, great use of the two images to create a stunning photograph. The color palate is pleasing. I like the uniformity of the burnt orange and bronze colors. Hang this one on the wall! |
Oct 27th |
| 88 |
Oct 23 |
Comment |
Fog creates the right feeling for this image of a barn lost in time. I like what you did in the foreground to heighten the colors and details that in turn contrast nicely with the barn. |
Oct 27th |
5 comments - 0 replies for Group 88
|
12 comments - 1 reply Total
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