|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 66 |
Oct 20 |
Comment |
Palli, this image invites the viewer to vicariously become the runner. It is an amazing image considering the limits imposed by a 10 megapixel sensor. I have a bunch of photos taken with the 6 megapixel Nikon D50. Indeed, Topaz AI sharpen and noise reduction can do wonders with our old images. Topaz now needs to work on an anti-aging program for us human beings. |
Oct 12th |
| 66 |
Oct 20 |
Comment |
Jack, moss gives this image a very arty look, just as though you modified it in Photoshop. I agree with your thoughts about it being busy, but that's Mommy Nature. Perhaps darkening the trunks of the distant trees would give you the simpler structure you want? |
Oct 7th |
| 66 |
Oct 20 |
Comment |
John, beautiful lighting. I like the way you captured the youthful, hopeful spirit in the face of this elder. Because I have an unexplainable attraction to more contrast, I like the modifications made by Gary. |
Oct 7th |
| 66 |
Oct 20 |
Comment |
Melanie, I think the infrared B&W still captures the energy in the scene, and it incorporates the checkered tables better than if they were red & white. Good thing you only had your infrared camera that day. The city will certainly rise again; your image holds that hope |
Oct 7th |
| 66 |
Oct 20 |
Comment |
Gary, I like the way you used the dilapidated barn to frame in the corn. The corn, as well, has become a victim of aging and change, in its post-harvest stage. It is easy to image and anticipate the coming winter season. The color, tone and texture of the image also make viewer more mindful of the passage of time |
Oct 4th |
| 66 |
Oct 20 |
Comment |
This image is dreamy, a gentle, peaceful dream. The technique of lens tilt gave the image its over worldly mood. Reducing the haze opened up the middle of the image. Lens tilt is a creative technique I've got to try. Thank you Emil. |
Oct 4th |
6 comments - 0 replies for Group 66
|
| 88 |
Oct 20 |
Reply |
Thanks for the comments and mentorship. The feedback from you and others in this discussion group have nudged me forward. |
Oct 13th |
| 88 |
Oct 20 |
Reply |
Thank you Trey. I suppose we shouldn't like our own images, but I like this one, and wish someday soon we will all have the opportunity to return to transcendental places like Zion. |
Oct 7th |
| 88 |
Oct 20 |
Comment |
Sanat Kumar, such a magnificent shot. I like the way you make that intimate small village even smaller by setting it against the huge mountains. It's personal taste, but I like images with deeper more saturated colors. I agree with comments about the sky and the constraints the time of day imposed on you. It might be fun to layer in another, more dynamic sky? |
Oct 7th |
| 88 |
Oct 20 |
Comment |
Trey, like myself, I can tell you have spent many years with film cameras. In camera you have nicely composed a lovely shot that needs little modification in post-processing. The mist and the play of golden tones reflected in the pond make the viewer want to linger with this image for a long time. |
Oct 7th |
| 88 |
Oct 20 |
Comment |
Louis, what a perfect moon. The blue water in the foreground adds a lot to the mood of this image. I agree with Trey about cropping out or deleting out the street lights. What do you think about this? |
Oct 7th |
| 88 |
Oct 20 |
Comment |
Gary, your postprocessing acumen, again, is magical. The image is so believably real. I like your spirited and playful use of color and the way the building and crayons communicate that compositional element. Eye candy. |
Oct 7th |
4 comments - 2 replies for Group 88
|
10 comments - 2 replies Total
|