Activity for User 1053 - Steve Wessing - psteve420@gmail.com

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726 Comments / 146 Replies Posted

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Group Round C/R Comment Date Image
21 Feb 19 Comment I like the concept but the eyes definitely need work. The bubble itself is an excellent composition on its own. My first thought would have been to add color rather than make a composite, but I always think that. Feb 16th
21 Feb 19 Comment I agree that the effect looks better on the background than on the players. It still looks good though. Maybe a bit dark, but that gives it good contrast and color. Feb 16th
21 Feb 19 Comment A fine image which could use a bit more contrast. Also an adjustment of the gamma levels would make it less hazy Feb 16th
21 Feb 19 Comment Ole'!
I'm a big fan of pareidolia and mimetic abstracts. I like the contrast between the white and colored counterparts. I am inspired to try this technique in 3d.		 Feb 16th
21 Feb 19 Comment A+. The 'painting' itself is interesting enough on its own, and the framing is excellent. The straight on viewing aspect is offset by the various angles in the composite, but I might have used a perspective tool anyway and angle the wall slightly away from the viewer to give the floor horizon a more natural feeling. Good job on the shadows too. Feb 16th
5 comments - 0 replies for Group 21
68 Feb 19 Reply Thank you.
I use the regular Samsung camera, and 3dSteroidPro. It is available on play store from Masuji Suto (the same programmer who makes StereoPhoto Maker). For color adjustments I use Samsung's Photo Editor Pro. I also have Cardboard Camera, which has guides for cha-cha. 		Feb 17th
68 Feb 19 Reply Thank you for your suggestion. Here is a cropped version. I think you're right that it still tells the story with less distraction. Feb 16th
68 Feb 19 Reply David, no there is only one rubylith, and it's ruby colored. It was used to block out light when burning offset printing plates. I'd have to make a mask for each color of ink used. Feb 16th
68 Feb 19 Comment I love the dynamic range of this image. Even though the color palate is limited, the combination of both stark and subtle contrasts more than makes up for it. I also like the fact that there is no ambiguous depth between the camera's range and infinity. I have never been to Morocco, but I have many Moroccan friends and acquaintances. I love their traditional food and art. I think the boldness and color of the designs are influenced by the monotony and limited contrast of the surroundings. Feb 16th
68 Feb 19 Comment Haha! In my youth I worked briefly in a print shop, and would spend hours cutting up tiny pieces of rubylith and waxing them to an image to repair ambiguous color separations. Sometimes I had to use so much the images would look like shattered red glass. This saw method seems much more straightforward. ;)
As usual, I will suggest more color saturation. Otherwise an excellent and humorous composite.		 Feb 16th
68 Feb 19 Comment Excellent color, perfect focus, no distractions. I do detect a slight and easily forgivable window violation at the bottom edge. All in all an exceptional and well planned illustration. Feb 16th
68 Feb 19 Comment A good catch. Good lighting, maybe a bit contrasty but comfortable. If I changed anything it would be to crop it to portrait to accentuate the tall giraffe, and eliminate the post on the left. Feb 16th
68 Feb 19 Comment An excellent image! The light, color, and complimenting textures make it interesting. I like the way the shape of the bench pulls my eyes to the back, then the shadows splash and bounce the interest back to the reflected light in the foreground. It seems to almost move. Good job! Feb 16th
68 Feb 19 Comment I like the concept of the butterfly flying into the blur, but overall I prefer the original image. I agree with David that increasing the sharpness in more of the foreground of the red leaves through cloning/erasing would improve it, and enhance the depth. Especially the water droplets which are lost in this version. Feb 16th
6 comments - 3 replies for Group 68
11 comments - 3 replies Total

145 Images Posted

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